Category: movies

Movie Review: Zombeavers

Movie Review: Zombeavers

ZOMBEAVERS follows a direct line of descent from such 1950s films as THE KILLER SHREWS and ATTACK OF THE GIANT LEECHES, although I doubt that the makers of this movie have seen them unless they are also fans of MYSTERY SCIENCE THEATER 3000. Instead, it’s more likely that they were inspired by the tributes to such films made by those who grew up with them, such as Ron Underwood’s TREMORS, Fred Dekker’s NIGHT OF THE CREEPS and especially, Joe Dante’s oeuvre, Continue reading “Movie Review: Zombeavers”

Classic Horror As It Was Meant To Be Seen.

Classic Horror As It Was Meant To Be Seen.

Two years ago, Cineplex Odeon played a pair of Universal horror classics, Tod Browning’s DRACULA and James Whale’s FRANKENSTEIN, as part of its Classic Film Series. While I can watch Whale’s film (and the rest of his horror output) countless times without exhaustion, Browning’s version of the Bram Stoker novel had always been for me and many others quite a chore to watch. Made while the film industry was still undergoing growing pains in the transition to sound, it always seemed  too slow and static, and with much of the action offscreen, is reminiscent at times of a filmed stage play (which it in essence actually was) or even a radio play, if you close your eyes. Continue reading “Classic Horror As It Was Meant To Be Seen.”

I LOATHED LUCY

I LOATHED LUCY

Quick, what does this remind you of? Lucy is a naïve American college student living in Hong Kong, emotionally fragile and seemingly none too bright, who has made the wrong sort of boyfriend, the sort who “innocently” asks you to deliver a briefcase to some fellows who “just happen” to be some big-time Asian drug dealers. And they don’t just take the briefcase, no siree, Continue reading “I LOATHED LUCY”

Interview: Godzilla Fan and Writer Armand Vaquer

Interview: Godzilla Fan and Writer Armand Vaquer

 

With the new Godzilla film scorching up the box office and also proving to be a surprising critical hit as well, we thought this was a good time to consult an expert in the field. Armand Vaquer, author of The Monster Movie Fan’s Guide to Japan, has long been a fan of Godzilla and other Japanese giant monsters, and has been active in G-fandom for years. He was kind enough to answer a few questions about his time in fandom and shed some light on an often-misunderstood genre and fan subculture. Continue reading “Interview: Godzilla Fan and Writer Armand Vaquer”

Dissecting Divergent

Dissecting Divergent

 

Entertaining yet not quite fulfilling, intelligent but underdeveloped, and having provoked an extremely broad range of critical reaction without any clear consensus, Divergent certainly lives up to its title in terms of both its internal contradictions and audience reception. It’s enjoyable enough to merit a viewing and it provides an intriguing fictional society and setting that feels genuinely lived-in. Additionally, the social factions that form the crux of the story’s plot and themes are quite interesting in the way they represent contemporary social and ideological divisions as well as moral virtues. Unfortunately, the same cannot be said of the individual characters in the film, however likeable some of the actors playing them are, and the movie leaves too many questions about its themes and setting frustratingly unanswered. Continue reading “Dissecting Divergent”

Movie Review: Science At Work

Movie Review: Science At Work

The late, great Frederick Pohl opened Chasing Science, his wonderful memoir of scientific tourism, with an account of his visits to America’s national laboratories. Although the majority work under heavy security there is one lab, as Pohl notes, that always welcomes visitors with open arms: Fermilab in DuPage County, Illinois. It is there that the Top Quark was discovered, solidifying the Standard Model and establishing it firmly as the touchstone of modern physics, and it remained the country’s leading particle physics facility until the recent shutdown of the Tevatron accelerator. Even so, it remains a major research center as well as a popular tourist attraction in the greater Chicago area, and the recent documentary Science at Work provides a virtual tour of the lab for those of us who have wanted to but never had a chance to pay a visit. Continue reading “Movie Review: Science At Work”

Movie Review: Mood Indigo

Movie Review: Mood Indigo

Some movies bend the rules or try to break them. This movie stretches them, squeezes them, then shapes them until it has formed its own set of narrative and visual rules. It is a film that could only be made in France, and even then, only by Michel Gondry. Of course it has cinematic antecedents of its own, almost all Gallic in origin as well; it feels at times that we are watching a three-way collaboration between the great talents of Jean Cocteau, Rene Clair and Jacques Tati. All the same, it belongs to that unique cinematic niche Gondry occupies, one that fellow countryman Jean-Paul Jeunet, frequent collaborator Charlie Kaufman and fellow acclaimed music video director and Kaufman cohort Spike Jonze inhabit as well, a distinctively modern cinema of the surreal. Continue reading “Movie Review: Mood Indigo”

Movie Review: The Double

Movie Review: The Double

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The doppelganger myth is a venerable one that has frequently surfaced in literature and occasionally in the movies. The most famous cinematic treatment was probably one of the earliest (if one excludes the many trick films that duplicated their actors), The Student of Prague, and the legend also provided Roger Moore with one of his better parts in little-seen sleeper The Man Who Haunted Himself. Surprisingly, the premise seems to have occurred more frequently on television, possibly because it lends itself to dramatic conflicts that are best resolved in the half-hour or hour long format. Most notable among them are two superb episodes of the Twilight Zone, “Mirror Image” and “Nervous Man in a Four Dollar Room,” the Alfred Hitchcock Presents episode “The Curious Case of Mr. Pelham” and one of the better episodes of the revived Twilight Zone, “Shatterday,” adapted by Harlan Ellison from his outstanding short story and featuring a fine performance by Bruce Willis. The Double, written and directed by Richard Ayoade from a novella by Fyodyr Dostoyevsky, and starring Jesse Eisenberg, ably demonstrates that the inherent dramatic promise and conflicts in the doppelganger premise are well extendable to feature length, providing one of the best such cinematic treatments of the idea to date. Continue reading “Movie Review: The Double”

Movie Review: Escape From Tomorrow

Movie Review: Escape From Tomorrow

 

My mother and sister were once trapped for two and a half hours in the “It’s A Small World” attraction at Disney World. I hadn’t a clue what their ordeal was like until I suffered through Escape From Tomorrow, which at least was an hour shorter .

This is the type of movie that gets so much attention for the story behind its production and its so-called “audacity” that the poor quality of the finished product becomes almost irrelevant. Continue reading “Movie Review: Escape From Tomorrow”

Gravity: The Science Fiction Film in Free Fall

Gravity: The Science Fiction Film in Free Fall

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Alfonso Cuaron’s Gravity has received an exceptional amount of critical acclaim for a science fiction film, more so for any other I can remember since Peter Weir’s The Truman Show.   This may be because, as with Weir’s film, many don’t recognize it as belonging to the genre. Yes, it takes place in outer space, the most familiar setting for the science fiction film, but since it (like the 1969 film Marooned) deals with events that could conceivably and possibly happen in the immediate future, it’s probably not unanimously regarded as such by mainstream critics, who don’t realize that the depiction of possible futures is precisely one of the main goals of science fiction. That may be why I’ve found myself less enthusiastic about the film than so many others after viewing it. As was the case with the wildly overrated Moon (2009), over-familiarity with the genre seems to greatly diminish my ability appreciate what others find to be so novel; on a purely visual and cinematic level, it’s certainly a tremendous achievement on the part of Cuaron and his crew, but on a story level, Gravity is (no pun intended) somewhat of a letdown. Not only will it also be overly familiar to other fans of written science fiction, but those well-versed in its cinematic equivalent will also find themselves recognizing various visual and story motifs. Continue reading “Gravity: The Science Fiction Film in Free Fall”