Category: movies

The Anti-PC Message of Cobra Kai

  I may be prone to hyperbole, but in this case, I may be understating my position. Cobra Kai is one of the most entertaining sequels I have seen and certainly the best thing on YouTube.  This could be nostalgia speaking since I came of age in the 1980s and Karate Kid was certainly a formative movie of my teen years. This show does things that I thought could not be done in this day and age and it certainly goes places I did not think the left-leaning proclivities of YouTube would allow.  The show is positively anti-PC so much so that it staggers the imagination. Now don’t get me wrong, there are some scenes that hint that next season the new Karate Kid (Xolo Maridueña) and the other Cobra Kai students will use their new foundself-confidencee for evil. What do you expect. These kids have been bullied by PC culture and told they can’t fight back against their oppressors all their lives. They say this over and over again to Sensei Lawrence as he berates them for being pussies.
This is where the show shines. The character of Johnny Lawrence (William Zabka) doesn’t care or even know about the changes to the world since 1984. It is a running joke throughout the show that he has bascally withdrawn from the world since he lost to Daniel. He was just going through the motions without really being awake all that time. For instance, he doesn’t know what Facebook is. This gives us a character who we can relate to our younger more innocent selves. Johnny doesn’t have thirty years of progressive political correctness weighing him down. When the nerds and losers from the High School join his dojo he treats them the way that kids were treated in 1984. He berates them for being soft, he makes fun of their deformities of self and character.  Sensei Lawrence is not giving out trophies for self esteem…he is telling these kids about the real world and in the real world they either win or they are losers. There are no safe spaces. If you have a problem you have to overcome that problem. If you have a deformity you fix it or get people to see you in a different way. Flip the script. You are responsible for yourself. This is the most powerful message of this show and it is a message kids today need. This is what elevates Cobra Kai to the next level. A positive, dare I say it, anti-progressive message shines out of all this.

There are other things in this show that set it apart from almost anything else out there and I urge anyone reading this to take the time and watch this. You won’t regret it.

Movie Review: Marjorie Prime

A most welcome trend of late has been the rise of the “art-house” science fiction film, and although such movies have been with us for a long time (nearly every French New Wave director made at least one science fiction film), the success of Shane Carruth’s Primer in 2004 has really spurred their production ever since. Typically, such movies are independently-made, often from outside the United States, and are aimed specifically at a usually older film-going demographic that prefers movies that take their time to reveal themselves and do so mostly through dialogue instead of action. Marjorie Prime is one of the best recent movies of this type, ably demonstrating the ability of genre cinema to craft stories as sophisticated and character-driven as its written equivalent. Continue reading “Movie Review: Marjorie Prime”

Movie Review: Arrival

Movie Review: Arrival

 

WARNING SPOILERS AHEAD

There’s a point early on in Denis Villeneuve’s Arrival  where a team of scientists and soldiers, entering the alien vessel for the first time, hike through a tunnel until they reach  the seeming end of it. One character tosses a Glo-Stick up in the air….and it continues to fall upwards. It is at this point that we realize we have entered, to quote Walter Pidgeon’s Professor Morbius in Forbidden Planet (like Amy Adam’s character, a professor of languages ), a completely new set of scientific values. Villeneuve’s film may seem on the surface to be just another alien-first-contact movie but it’s actually something much more interesting and unique. It’s a true rarity, a film adaptation of a quite recent, highly-acclaimed science fiction short story that manages to do its source material justice. Continue reading “Movie Review: Arrival”

Oscar Enters The Space Age

Oscar Enters The Space Age

There were some surprising science fiction nods among the major Oscar nominations this year. Despite complaints about STAR WARS: THE FORCE AWAKENS not getting a nomination for Best Picture (and in my opinion, it didn’t really deserve one), both MAD MAX: FURY ROAD and THE MARTIAN managed to secure Best Picture nominations.   I only caught the last fifteen minutes of FURY ROAD on cable, so I can’t really judge it beyond that,  but THE MARTIAN while not perfect, was one of the better movies in a mediocre year, and so I have no problem with its nomination. Ridley Scott unfortunately didn’t get nominated for Best Director, which likely punctures (sorry) the film’s chances of winning the top prize, but Matt Damon received a well-earned Best Actor nomination, and Drew Goddard’s adaptation of Andrew Weir’s novel was nominated in the Best Screenplay category. The best science fiction film of the year, EX MACHINA, didn’t get nominated for Best Picture but I was pleasantly surprised to see it nominated for Best Original Screenplay, along with Pixar’s fantasy INSIDE OUT. (My choice for the year’s best film, ME, EARL AND THE DYING GIRL, didn’t get any nominations at all, alas). Continue reading “Oscar Enters The Space Age”

THE OVERPRAISED AND OVERHYPED: A STRICTLY PERSONAL LISTING OF THE MOST OVERRATED SCIENCE FICTION FILMS OF ALL TIME

THE OVERPRAISED AND OVERHYPED: A STRICTLY PERSONAL LISTING OF THE MOST OVERRATED SCIENCE FICTION FILMS OF ALL TIME

Originally, I didn’t plan to follow up my list of Underrated Science Fiction Films with a list of those I consider the most overrated. First of all, such a list would frankly come off as self-trolling if not done right, an attempt to gain page hits by tempting potential visitors with a subtle “come see how much this will enrage you, and if it doesn’t, share it with friends who will be.” Secondly, there’s a not so subtle implication in such essays that there’s something wrong with those who already enjoy these movies (or books or shows or whatnot), instead of simply chalking up any disagreements to mere differences in taste. Continue reading “THE OVERPRAISED AND OVERHYPED: A STRICTLY PERSONAL LISTING OF THE MOST OVERRATED SCIENCE FICTION FILMS OF ALL TIME”

THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, Part IV. The Eighties To The Present

THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, Part IV. The Eighties To The Present

And now, we complete our list! There are two reasons why I’ve decided to include the Eighties and Nineties together with the 21st century in this compilation of overlooked science fiction films. First of all, it takes time to decide whether or not a film is truly underrated, and the older they are, the greater the danger they have of sinking into completely undeserving obscurity. On the other hand, not only are more recent films still fresh in the memory and more readily available, they also get discussed more, and as a result, it becomes much more difficult to judge whether a film is truly underrated or not; if anything, a recent movie is more likely to be overpraised by audiences. Continue reading “THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, Part IV. The Eighties To The Present”

THE UNDERRATED AND UNDERAPPRECIATED: The Sixties and the Seventies

THE UNDERRATED AND UNDERAPPRECIATED: The Sixties and the Seventies

As we move into the Sixties and Seventies, you’ll notice that we’ve dropped in the number of films selected, from ten to seven. Unfortunately, the science fiction boom of the Fifties crested by the early Sixties, and the number of films being made by American studios plummeted; it’s not a coincidence that the bulk of the movies selected for this article came from outside the United States. 1968 then saw the release of two landmark films: 2001: A SPACE ODYSSEY and PLANET OF THE APES. Not only did they help to revive adult-oriented science fiction as a viable genre, but they demonstrated for the studios that they could make back their investment in a big-budget science fiction film. A big-budget boom did not truly begin until STAR WARS was released in 1977. On the positive side, in demonstrating that they could make back their investment not once but many times over, it convinced the studios to produce far more SF films than any time since the late Fifties. Continue reading “THE UNDERRATED AND UNDERAPPRECIATED: The Sixties and the Seventies”

THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, PART II-The Fifties

THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, PART II-The Fifties

When coming up with a list of favorite or best science fiction films of the 1950s, a half-dozen indisputable classics almost always show up: THE DAY THE EARTH STOOD STILL , THE THING FROM ANOTHER WORLD,  FORBIDDEN PLANET, THEM, THE INCREDIBLE SHRINKING MAN, and INVASION OF THE BODY SNATCHERS. The decade also saw the release of several second-tier classics: THE BEAST FROM 20,000 FATHOMS, WAR OF THE WORLDS, GODZILLA: KING OF MONSTERS, CREATURE FROM THE BLACK LAGOON, IT CAME FROM OUTER SPACE,  INVADERS FROM MARS, JOURNEY TO THE CENTER OF THE EARTH, I MARRIED A MONSTER FROM OUTER SPACE, THE FLY, DESTINATION MOON,  2,000 LEAGUES BENEATH THE SEA, WHEN WORLDS COLLIDE,  and the first two QUATERMASS films. While not necessarily great films like the first six, they nonetheless range in quality from excellent to very good, and are worthy of their reputations. However, there are other movies made from the decade that are just as good but often overlooked, not just by general audiences, but by avowed science fiction fans as well. It is usually only the most devoted and well-read fan who is aware of them and actively seeks them out, and unfortunately, they tend to be an older demographic whose numbers are dwindling. Continue reading “THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, PART II-The Fifties”

THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, PART I  The Twenties Through The Forties

THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, PART I The Twenties Through The Forties

Lists. Every site creates them; why should this one be any different? Well, for one thing, this site was created specifically to provide an outlet for thoughtful writing on science fiction, not click-bait for advertising revenue, but given that I’ve enjoyed reading lists since I came upon my dad’s copy of THE BOOK OF LISTS by Irving Wallace back when I was eight or nine, and the rest of the Internet seemingly does as well (except when they have to keep plowing through one page after another because money-hungry designers couldn’t put them all on one page), I figured, why not? (Is there a “List of Longest Introductory Sentences on the Internet?” No? There should be.) More importantly, as explained further below, some excellent articles from other sources made me want to write on some of my favorite science fiction films, specifically those which are underrated either by audiences in general or fandom in specific. I quickly realized that there were so many genuinely good science fiction films that are either unknown to many or unfairly maligned for one reason or another, that it was necessary to split this article in several parts. Continue reading “THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, PART I The Twenties Through The Forties”

Movie Review: THE CONGRESS

Movie Review: THE CONGRESS

At one point early in THE CONGRESS, the agent (Harvey Kietel) for the lead character tells a studio head “No science fiction films. They’re all stupid and my client doesn’t do stupid stuff.” We laugh knowingly because at its very best, science fiction is the most intelligent and provocative of genres, and THE CONGRESS is a noble attempt to make a science fiction film that appeals to art-house audiences, something that has become more popular as of late (see also UPSTREAM COLOR and I ORIGINS). There are, in fact, two potentially very good science fiction films lying at its heart, but it seems torn over deciding which one it should be. Continue reading “Movie Review: THE CONGRESS”