Category: Letters of Marque

The (other) Conquest of Space

Robert Conquest, one of the greatest and most important historians of the 20th Century, died earlier this week at the age of ninety-nine. His most lasting legacy, of course, was his exposing the fraud of communism to the intelligentsia and the public, although sadly many still remain in denial of his findings regarding Stalin’s body count. I am reasonably certain most readers of this journal are not among those that need to have Conquest’s evidence presented to them; I am in fact quite certain that most of them know his name, and even if they have not had the chance to read his monumental works The Great Terror and Harvest of Sorrow, have read other credible sources that have cited them as impeccable sources on the topic.

But how many of you are also aware that he was a science fiction fan? Continue reading “The (other) Conquest of Space”

THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, PART II-The Fifties

THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, PART II-The Fifties

When coming up with a list of favorite or best science fiction films of the 1950s, a half-dozen indisputable classics almost always show up: THE DAY THE EARTH STOOD STILL , THE THING FROM ANOTHER WORLD,  FORBIDDEN PLANET, THEM, THE INCREDIBLE SHRINKING MAN, and INVASION OF THE BODY SNATCHERS. The decade also saw the release of several second-tier classics: THE BEAST FROM 20,000 FATHOMS, WAR OF THE WORLDS, GODZILLA: KING OF MONSTERS, CREATURE FROM THE BLACK LAGOON, IT CAME FROM OUTER SPACE,  INVADERS FROM MARS, JOURNEY TO THE CENTER OF THE EARTH, I MARRIED A MONSTER FROM OUTER SPACE, THE FLY, DESTINATION MOON,  2,000 LEAGUES BENEATH THE SEA, WHEN WORLDS COLLIDE,  and the first two QUATERMASS films. While not necessarily great films like the first six, they nonetheless range in quality from excellent to very good, and are worthy of their reputations. However, there are other movies made from the decade that are just as good but often overlooked, not just by general audiences, but by avowed science fiction fans as well. It is usually only the most devoted and well-read fan who is aware of them and actively seeks them out, and unfortunately, they tend to be an older demographic whose numbers are dwindling. Continue reading “THE UNDERRATED AND UNDERAPPRECIATED: A Personal List, PART II-The Fifties”

Countdown to Interstellar: The Warp Drive in Hard Science Fiction…1…Charles Sheffield

Countdown to Interstellar: The Warp Drive in Hard Science Fiction…1…Charles Sheffield

The first few years of the Millennium were dark ones for fans of hard science fiction. In 2001, Poul Anderson died, followed a few months later by his frequent collaborator Gordon Dickson. Then in 2003, Hal Clement, who did more than any other writer to develop hard science fiction as an identifiable sub-genre by introducing a new degree of scientific rigor in writing and helped make world-building an art form, also passed away. Between these two massive losses came possibly the most tragic of them all, as physicist and writer Charles Sheffield lost a brief but brave battle with an aggressive brain tumor in 2002. Although he had begun writing quite late in life, Sheffield had nonetheless quickly developed a reputation as one of hard science fiction’s finest practitioners, a prolific and versatile writer whose diverse stories and series combined, as Spider Robinson (who would name the spaceship in his Heinlein paste-up Variable Star after his late colleague and friend) said, “the scientific grounding of Clarke, the storytelling skills of a Heinlein, the dry wit of a Pohl or Kornbluth, and the universe-building prowess of a Niven.” I would also add that he possessed Gregory Benford’s skill at realistic and believable depictions of scientists and science at work…even as practiced many centuries from now. As wondrous and exciting as his many novels and short stories were, there was still the feeling that the best was yet to come; alas, as had been the case with Stanley Weinbaum three quarters of a century earlier, the cruelties of cancer once again stole us of a promise yet to be fulfilled, and we can only surmise as to what might have been. Continue reading “Countdown to Interstellar: The Warp Drive in Hard Science Fiction…1…Charles Sheffield”

On Our Responsibility to Futures Past

I moved homes recently, and the most painful part of the process was, as it would be for any other bibliopath, deciding which books to keep and which to sell. I had built up a substantial collection over the years, maybe not as extensive as some collectors but still impressive, and I had to decide which books had the most merit, the most re-readability value, and the ones I had the greatest personal attachment with in order to makethese difficult decisions. Like many others, I have strong memories related to my first reading of a particular book-Arthur C. Clarke’s Tales From Planet Earth while on the shores of a beach in North Carolina, Ben Bova’s Mars while atop the massive red boulders of Ontario’s Killarney National Park-that makes me treasure the joys of returning to them even more.  Ultimately, after making my decisions, about 75% of the books in my collection-a large number of them duplicate copies-were sent to a charity book sale while those nearest and dearest to me remained on my shelves. A difficult task, as unfair as asking a parent to choose between their children (OK, I exaggerate a little), but a necessary one. Continue reading “On Our Responsibility to Futures Past”

Countdown to Interstellar: The Warp Drive in Hard Science Fiction….2….Gregory Benford

Countdown to Interstellar: The Warp Drive in Hard Science Fiction….2….Gregory Benford

Gregory Benford and Relativistic Effects

 

 

I once attended a talk given by renowned mathematical physicist Roger Penrose where he described binary pulsars as the most beautiful objects in the universe, as they fulfill every prediction made by the Theory of Relativity. Similarly, the stories of Gregory Benford are among the most beautifully written in science fiction, not just because of their prose but how they illuminate the laws and hidden facets of the universe. As a physicist himself, much of Benford’s science fiction is distinguished by both his keen observations of the lives of scientists and his finely detailed depictions of them at work, and his ability to vividly convey the sort of cognitive and sensory impressions that are part of their experiences. Continue reading “Countdown to Interstellar: The Warp Drive in Hard Science Fiction….2….Gregory Benford”

We Love You, Spider

We Love You, Spider

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Fans and friends of Hugo-winning science fiction writer Spider Robinson were saddened by the news that his daughter Terri died earlier this week after a brave fight with breast cancer. The tragedy is all the greater coming four years after the death of Spider’s beloved wife and frequent co-author Jeanne from a rare form of biliary duct cancer. Robinson has long been one of SF’s most beloved figures, not just for his terrific novels and short stories but for being a delightful presence as a speaker and filk singer at conventions, and even among those of us who have also gone through the tremendous loss of loved ones, it is hard for us to conceive what it must be like to lose the two most important people in your life so soon and so close together. Continue reading “We Love You, Spider”

Countdown to Interstellar: The Warp Drive in Hard Science Fiction….3….Poul Anderson

Countdown to Interstellar: The Warp Drive in Hard Science Fiction….3….Poul Anderson

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Writers of hard science fiction, that most rigorously realistic of the genre’s subdivisions, pride themselves on their unwavering commitment to scientific accuracy and adherence to the known laws and facts of the physical universe in their stories, yet they find themselves making a necessary exception for one of the most significant of all its invariants. Since the Theory of Special Relativity has established that nothing can move faster than the speed of light, which has only been further buttressed by experiment and observation, the practitioners of hard science are forced to bend their own principles slightly whenever their stories go beyond our own Solar System. Fortunately, the Great Einstein giveth as much as he taketh away, and the many fascinating predictions and outcomes of both Special and General Relativity have provided the “loopholes” many writers are looking for in trying to explain how their characters can traverse such great distances. In some instances, the stories are specifically about faster-than-light travel itself; the brand-new Christopher Nolan film INTERSTELLAR follows a well-worn path to the stars that science fiction writers have traveled many times before, attempting to explain how FTL or the “warp drive” in terms that are consistent with current scientific knowledge, and using it as a platform for both the stories and themes. Continue reading “Countdown to Interstellar: The Warp Drive in Hard Science Fiction….3….Poul Anderson”

Movie Review: THE CONGRESS

Movie Review: THE CONGRESS

At one point early in THE CONGRESS, the agent (Harvey Kietel) for the lead character tells a studio head “No science fiction films. They’re all stupid and my client doesn’t do stupid stuff.” We laugh knowingly because at its very best, science fiction is the most intelligent and provocative of genres, and THE CONGRESS is a noble attempt to make a science fiction film that appeals to art-house audiences, something that has become more popular as of late (see also UPSTREAM COLOR and I ORIGINS). There are, in fact, two potentially very good science fiction films lying at its heart, but it seems torn over deciding which one it should be. Continue reading “Movie Review: THE CONGRESS”

Interview: Godzilla Fan and Writer Armand Vaquer

Interview: Godzilla Fan and Writer Armand Vaquer

 

With the new Godzilla film scorching up the box office and also proving to be a surprising critical hit as well, we thought this was a good time to consult an expert in the field. Armand Vaquer, author of The Monster Movie Fan’s Guide to Japan, has long been a fan of Godzilla and other Japanese giant monsters, and has been active in G-fandom for years. He was kind enough to answer a few questions about his time in fandom and shed some light on an often-misunderstood genre and fan subculture. Continue reading “Interview: Godzilla Fan and Writer Armand Vaquer”

Movie Review: Mood Indigo

Movie Review: Mood Indigo

Some movies bend the rules or try to break them. This movie stretches them, squeezes them, then shapes them until it has formed its own set of narrative and visual rules. It is a film that could only be made in France, and even then, only by Michel Gondry. Of course it has cinematic antecedents of its own, almost all Gallic in origin as well; it feels at times that we are watching a three-way collaboration between the great talents of Jean Cocteau, Rene Clair and Jacques Tati. All the same, it belongs to that unique cinematic niche Gondry occupies, one that fellow countryman Jean-Paul Jeunet, frequent collaborator Charlie Kaufman and fellow acclaimed music video director and Kaufman cohort Spike Jonze inhabit as well, a distinctively modern cinema of the surreal. Continue reading “Movie Review: Mood Indigo”