With the new Godzilla film scorching up the box office and also proving to be a surprising critical hit as well, we thought this was a good time to consult an expert in the field. Armand Vaquer, author of The Monster Movie Fan’s Guide to Japan, has long been a fan of Godzilla and other Japanese giant monsters, and has been active in G-fandom for years. He was kind enough to answer a few questions about his time in fandom and shed some light on an often-misunderstood genre and fan subculture.
1.Thanks for granting us this interview Armand! Tell us a little first about your own history with Godzilla and your involvement with Japanese fantastic film fandom.
Well, the first time I saw Godzilla was in 1962 when Los Angeles station KHJ-TV Channel 9 ran “Godzilla, King of the Monsters!” one afternoon. I was playing outside on our front porch with a friend and his mother yelled from across the fence that Godzilla was coming on television. So he ran off. My mom was standing at the door and I asked her what Godzilla was and she told me that he’s a big dinosaur. That interested me, so I went in and watched it and was hooked. Then, a year later, several friends and I were taken by my parents to see “King Kong vs. Godzilla” at the theater. Funny thing, a few years before she died, my mom told me that they took me to the drive-in to see “Godzilla, King of the Monsters!” when I was two years old (that would be 1956). I have no memory of that.
I wrote for G-Fan magazine for nine years, mainly about landmarks and locations used in the movies. I also worked on different projects such as “Godzilla Week” in 2000, wrote Rick Dee’s narrative for the Godzilla float at the 2004 Hollywood Christmas Parade and the History of Godzilla speech for Johnny Grant for the Walk of Fame Dedication. The last two were at the request of Toho. I also organized the “Godzilla, King of the Monsters!” plaque at the former location of the studio where Raymond Burr was filmed. It is now an elementary school and the plaque is at the main entrance.
2.The term kaiju (like “steampunk”) gets frequently misinterpreted by those who are aware of the genre but unfamiliar with it; it frequently gets stretched and distorted to refer to any sort of giant monster film regardless of country of origin or any live-action science fiction film or TV show from Japan. For the benefit of our readers, can you explain the kaiju genre to them and how it should be distinguished from the broader genre of tokusatsu?
Well, tokusatsu generally means live-action special effects films of different genres shown on television or theatrically, including kaiju and super-heroes originating from Japan. Kaiju means literally strange creature. Daikaiju just means big strange creature.
3.You’re also the author of The Monster Movie Fan’s Guide to Japan. Tell us a little about this book, and how readers should use it.
The Monster Movie Fan’s Guide To Japan is a travel guide tailored to fans of kaiju movies (Godzilla, Gamera, etc.) to provide information on the locations and landmarks used in the movies and where they are, how to get there and what other attractions are nearby of interest. There’s some Ultraman places of interest as well in the book. Where available, I also included some accommodation places. It can be used either as a reference book on what locations and landmarks were used and what movies they appeared in. It is available in print form or as an ebook at Amazon’s Kindle Store. I will be publishing a revised second edition sometime next year. Work has already begun on it.
Many people have written to me that they found it very useful when they were on vacation in Japan.
4. Our readers will undoubtedly be very interested to read about your lifelong political work as well; you’ve had quite a fascinating career! Have there been any interesting moments where your political and fan work coincided?
I was on three California national convention delegations for Ronald Reagan (1976, 1980 and 1984) and an area chairman for the Reagan campaigns. My political work tapered off when I got married and when my daughter was born. But the political contacts I have came in handy in getting the “Godzilla Week” and “Godzilla Month” proclamations through the Los Angeles County Board of Supervisors through. I’ve known Supervisor Michael Antonovich since the 1970s and worked with him on the proclamations. He’s a big fanboy himself, so it was easy to get his help.
I worked as a field representative to Assemblyman Paul T. Bannai, the first Japanese-American to be elected to the state legislature in California, back in the 1970s. Working with him and the Japanese community in the Gardena area was useful in learning how to work with Japanese people. I also learned press work while working for Bannai, which also came in handy in later years.
5. We’ll wrap up by asking you what are your future writing plans, and what sort of future do you see for Godzilla here in the Americas after the critical and commercial success of the new film? And thank you once again!
At present, I am just writing for my blog, Armand’s Rancho Del Cielo and contributing to Monster Island News and working on an updated The Monster Movie Fan’s Guide To Japan.
It appears that Godzilla is a hit and plans are in progress for a sequel. I am guessing that Godzilla as a franchise in America will last about 2-3 movies, provided they don’t muck it up. If they have engaging stories, interesting monster foes for Godzilla to fight and great special effects, the franchise should last several movies. Why not? This may also spur Toho to get back into the kaiju game again. But I think the days of suitmation may be over, or more limited in Japan. Toho demolished their Big Pool during the past ten years, so they will probably go the CGI route.
I think they should let Legendary Pictures and Warner Bros. carry the “Godzilla ball” for now and concentrate on reviving their other monsters such as Rodan and Mothra with a combination of models, suits and CGI. Or come up with new monster characters.
Thanks Armand! You can check out Armand’s Rancho Del Cielo for informative updates on Godzilla fandom, California politics, and more, and order The Monster Movie Fan’s Guide to Japan from his website or at Amazon Kindle!